Related Paintings of unknow artist :. | Adoration of the Shepherds and Adoration of the Magi | Marii Wozniakowskiej | A View in the Island of New Caledonia in the South | Guatemalan wood Carvers | Captain James Cook |
Related Artists:
August Peters
painted Cottage with lake and mountains in 1847
Aleksey Korin
Korin Alexey (1865-1923) - brief biography Alexey Korin was born in 1865. The main themes of his painting were Russian lanscapes, genre-scenes, portraits, interiors. Studied at the Moscvow School of Painting, Sculpture and Architecture in 1884-1889. Gradueted from this school with big silver medal. Was the member and took part at the exhebitions of the The Association of Traveling Art Exhibitions (the Itinerants group) since 1891. Teached at the Moscow School of Painting, Sculpture and Architecture since 1894. Took part at the World Art Exhibition in Paris in 1900. Some of the paintings of Alexey Korin were bought by Pavel Tretyakov for his collection.
Sofonisba Anguisciola
1532?C1625, The best known of the sisters, she was trained, with Elena, by Campi and Gatti. Most of Vasari's account of his visit to the Anguissola family is devoted to Sofonisba, about whom he wrote: 'Anguissola has shown greater application and better grace than any other woman of our age in her endeavours at drawing; she has thus succeeded not only in drawing, colouring and painting from nature, and copying excellently from others, but by herself has created rare and very beautiful paintings'. Sofonisba's privileged background was unusual among woman artists of the 16th century, most of whom, like Lavinia Fontana (see FONTANA (ii),(2)), FEDE GALIZIA and Barbara Longhi (see LONGHI (i), (3)), were daughters of painters. Her social class did not, however, enable her to transcend the constraints of her sex. Without the possibility of studying anatomy, or drawing from life, she could not undertake the complex multi-figure compositions required for large-scale religious or history paintings. She turned instead to the models accessible to her, exploring a new type of portraiture with sitters in informal domestic settings. The influence of Campi, whose reputation was based on portraiture, is evident in her early works, such as the Self-portrait (Florence, Uffizi). Her work was allied to the worldly tradition of Cremona, much influenced by the art of Parma and Mantua, in which even religious works were imbued with extreme delicacy and charm. From Gatti she seems to have absorbed elements reminiscent of Correggio, beginning a trend that became marked in Cremonese painting of the late 16th century.